F63.9

Every person wants to love and to be loved with strong, true and sincere love. Find your part ofloveat the exhibition where you can collect feelings.
Contemporary artist Zurab Arabidze fills his works with the most simple phrases. With the words, which we say to express our desire, love and warmth.
Works are untitled. On canvas one and the same phrase is being repeated with mantras principle. Visitor must read each word of every work from the beginning till the end. Energy charge, which mantra creates,  penetrates into different layers of persons unconsciousness and fills each cell with information. “I love you”, “come to me”, “I miss you”, “ I want to be with you” – repeated 100 or more, is some kind of meditation for visitors. Exhibition is interactive. Energies whichwillbe collectvia reading the phrases, emotions which will be gathered in your sub-consciousness, can be expressed and fascinated on special wall. With this every visitor can participate in the exposition. Exhibition is for everyone, who loves to hug, who considers that love is and always will be, for whom love breathes, for those who believe that love will come, if not today than tomorrow.
At the exhibition F63.9 modern artist Zurab Arabidze will represent his book “I love you”.
Books about love are located in the book-case. The initial idea about the illustration came from the author's observations about attitudes towards love. In majority of cases we hide love, and as time passes we don’t open up ,we don’t talk about love anymore. In order to deepen the feeling of love , in order to highlight the memories ,Zurab arabidze presents the book "I love you".
On the 404 page, on 202 paper ,love is explained 63 468 times. Book for everyone who can love. Give this to beloved person and ask them to read this book. Give it to your parents , children, friends and of course to your beloved.
The first page of this book is empty for you to express how much you love that person.

 

Mass Hallucination of Still Modernity

Life is nothing more than the expectations for a better one - waiting for specific results that never appear. The modern life is a tense expectation. When strained expectations result in nothing, it’s followed by laughter. At that moment, a person becomes aware of his/her incompatibility with the outer world and realizes that there is nothing left but selfirony. Irony is an eternal chaos of a clear mind. It outlines key factors and remains above conventions. If a person is proud of his/her actions today, tomorrow that can change, since results are always different from original intentions. It is the irony of history, which is the cyclic process of the impossibility of “uploading” one’s own the future




Theory of relativity time dilation

Einstein’s Special Theory of Relativity time dilation is a difference of elapsed time between two events as measured by observers either moving relative to each other or differently situated from a gravitational mass or masses. Time dilation explains why two working clocks will report different times after different accelerations. For example astronauts return from missions having aged slightly less then, had they remained on earth.
Also the comparison of muon lifetimes at different speeds is interesting. In the laboratory, slow muons are produced; and in the atmosphere, very fast moving muons are introduced by cosmic rays. The cosmic ray produced muon traveling at 98% of the speed of light is about five times longer, in agreement with observations.
So speed acceleration slows down time run and vise a versa, for time acceleration speed must be reduced.
Lack of time is a problem, about which the majority of earth’s society is very concerned. Many scientists claim that time started to run faster on earth, and people notice it, because it has changed radically. This may be caused by the climate system changes, including changes in atmospheric composition (e.g., increased concentrations of greenhouse gases), industrial era, solar luminosity, volcanic eruptions, and variations in Earth's orbit around the Sun. As a result, our planet changes the orbit towards the sun, getting more closer. The closer a planet is to the Sun, the slower it will spin around it. With the decrease of the speed, the time run is to be accelerated.  And it is today’s reality.
One needs too much effort too feel and realise every moment of life. Reality seems more to be a psychedelic movement, frozen in a mass hallucination

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Invisible fear of loneliness

The Invisible fear of loneliness ( Quantum involvement) Statement On the surface of a sea, a white particle of a light, having no mass or size, strives for the perfection. Aspiring to infinity, where it should find it’s second half. With the speed of 300 km in an hour, it runs from the black surface and breaks through the space on a surface of a sea. The lonely Phiton moves even faster then a light, for the defeating of loneliness. In the project “The invisible fear of loneliness”, an author compares human aspiration for finding their second half to the Phitons chaotic movements. Mutual dependence of the light particles, during the quantum involvement can be perceived as an analogue to the ideal relation between a man and a woman. No matter how far the Phitons are from each other, despite the distance, they don’t loose the contact with each other. Phitons in quantum involvement are under a constant interaction. Auto-Phobism – the fear of loneliness. Perhaps, it would be strange if there do not exist any such a phoby. The fear of loneliness is a part of life. The fear of what will be in the future. The Loneliness in the present may not be so dramatic at all. The invisible fear appears, when you start to think about how long the loneliness will last. The particles of the light in the boundless sea. The space, were no ends are seen. In this case the sea is the universe, in which we live and in which’s infinity we strive not to be alone.

ARCHmetamorphism #8456

Works of ARCHmetamorphizm project depict refraction of the author’s vision of architectural elements in a photograph. Architectural sculpture transforms into fanciful forms as if small pieces of glass create a new geometrical reality after the turn of a kaleidoscope. Within such a transformation the original meaning of the utilised subjects are lost, they are no longer apartment or office buildings, or historical monuments, they become only the elements of a certain author’s vision, entering an aesthetic context.
Taking this path and losing its individuality, architectural elements become part of the author’s game with space, creating mosaics in which chaos takes arranged geometric patterns. Now the elements of objective reality are no longer perceived as such, and appear as either paintings of an outline of human chromosomes, as if accidentally compiled patterns in a media player, or as a virtual matrix reality when millions of numerals run along the screen at breakneck speed creating a new aesthetic reality.
Objects caught by the author are buildings from which architectural space is being built like a pattern of a new town planning scheme. All the photographs become parts of a construction set as they can be matched in any consequent modelling of a new landscape.

Dissociative identity disorder /You are not alone/

An internal resistance always accompanies a process of decision-making that can be seen as a symptom of a split personality. This duality is not always strict. It can’t change the main characteristics or influence a way of life. To a certain point, a human can control this sensation. However, in the case of a dissociative identity disorder, a person may lose individuality, get fragmented and feel as several, independent personalities. When the alternate identity becomes dominant and episodic memory gradually recovers, the sense that you are not alone follows. The retrospection (sudden and unexpected return of memories) brings the fear of identification along with the personal “I”.

ARCHmetamorphism #0110

Works of ARCHmetamorphizm project depict refraction of the author’s vision of architectural elements in a photograph. Architectural sculpture transforms into fanciful forms as if small pieces of glass create a new geometrical reality after the turn of a kaleidoscope. Within such a transformation the original meaning of the utilised subjects are lost, they are no longer apartment or office buildings, or historical monuments, they become only the elements of a certain author’s vision, entering an aesthetic context.
Taking this path and losing its individuality, architectural elements become part of the author’s game with space, creating mosaics in which chaos takes arranged geometric patterns. Now the elements of objective reality are no longer perceived as such, and appear as either paintings of an outline of human chromosomes, as if accidentally compiled patterns in a media player, or as a virtual matrix reality when millions of numerals run along the screen at breakneck speed creating a new aesthetic reality.
Objects caught by the author are buildings from which architectural space is being built like a pattern of a new town planning scheme. All the photographs become parts of a construction set as they can be matched in any consequent modelling of a new landscape.

Trepanation of the “pseudo-intelligentsia” caused by stopping of unforeseen of Intelevisation

Intelevisation – is an invented word that carries an alternative meaning of the contemporary word intelligent. Human’s relationship with television-phenomena, when free thinking, 
Lifestyle, Intellect, Knowledge, Perception of reality Are formed be watching TV.
TV is the problem of Modern Life. The person addicted to TV loses the most precious thing –The Time. 
To receive the ready-made information, pseudo values and ready ideals systematically,
The result is that brainwashed and motionless person becomes addicted to the unreal world and is unable to have own ideas. This kind of person becomes addicted to the virtula world and it leads to stupidity.

Emanation

Life without aggression or aggressive being? The choice faced by any individual during his material existence.
The way from the divine beginning, stepping back into complete aggression is reality. Emanation is a religious philosophical term, meaning the transition from the divine beginning to the everyday reality, regression, the transformation of spirituality into a simpler given.
Aggression is a specifically oriented behavior aimed at eliminating the obstacles that create the physical and mental integrity of the organism. The causes of aggressive behavior can be found in innate instincts. This is a solid personal disposition, the instinct of death. Her motive is a pleasant emotional shift, which comes in the wake of aggressive behavior.
You always choose the road yourself. If you can resist the emanation, it will probably reach the state of perfect schastya. Divinity can be seen only in kindness. You can resist aggression with good, kindness fights against evil, only so you can transform evil.
Everyone is looking for the truth, but nobody knows where this truth is. You search for the truth and do not guess that it can be found only in yourself.

Personal Paradigm

The FotoLoft Gallery presents a personal exhibition of Zura Arabidze, a Georgian photographer and artist.   Fifteen black and white psychological portraits… and no people on them but projection of the author’s emotions.
Zura Arabidze sees his models as a reflection of his perceptions; this is why they are different from the real ones. They are personification of his personal paradigm.
Images living inside of us, dreams, fantasies, the sky we looked through the sleepless nights, houses in which we used to live, all our memoirs remain inside of us, creating the person, the unique Universe of individual existence. And these are the objects of this personal Universe that Zura longs to demonstrate to the audience through the portraits.
For a photographer, the world surrounding is a reflection of his personal spirit, a mirror of his mental model and of his perception model. Therefore, taking pictures of people, Zura discovers something from himself, digs it from the depth of their subconsciousness and imprints; he superimposes his personal images on fading faces which become just the intermediaries of the author's spiritual beginning into the external world.
Overlaying of the shots and drawing on the print allow achieving a stereoscopic picture, uncertainty of senses; the strongly pronounced black and white contrast focuses you on the emotional content of the work. The faces are somehow breaking through the darkness of unbeing to the light and finding a new life in the author's photo-works.
There is something mysterious in Zura's works; in each print, the author gives us the symbol leading us to decoding of the picture. The shot superimposing is as overlaying of various layers of life; the figures reminding of cave art are engraved on the face as the experiences of the life journey.
The photographer catches the part of the face, which concentrates the artistic idea and leaves everything distracting in the darkness.
So, mixing different techniques, the artist as though balls the picture senses clue.

Psycho-spiritual components of the physical form of matter